
- Cat in a Strange Barn, Mooka, (Neuroxyde)
- The Day You Left, Merveille & Crosson, DRM Part 1 (Original Mix)
- Raven, Proxy, (Live Edit)
- Raise Your Weapon, Deadmau5, (Madeon Extended Remix)
- Walking Alone feat. Erik Hecht Dirty South, Those Usual Suspects, Amazone Project 3
- Wagga Wagga, Neelix
- Toulouse, Nicky Romero, (Original Mix)
- Sudo, Lookback, Sudo Single, (Original Mix)
- Lady, Wildkats, Tunnel Vision Original Mix (feat. Sishi Roschi)
- Do It, The House Cartel, Single
- Sending My Love (feat. Max C.),Swanky Tunes, MAx C, R3hab, Amazone Project 3
- Envision, Osunlade, Defected Presents Kevin Saunderson, (Yoruba Soul Mix)
- Good Morning Ibiza Darmon, Eran Hersh, George F, Amazone Project 3 (Tekkman Ibiza Tekk Mix)
- Rock to the Beat, Kevin Saunderson, Defected (Ben Sims Remix)
- Blow Up, Hard Rock Sofa, St. Brothers, Amazone Project 3, (Hook & Sling and Goodwill ReMix)
- Iced Out, Burns, (Calvin Harris Remix)
- Sinnerman, Sean Miller, Daniel Dubb (Original Mix)
- Cliffs of Moher Ireland 2011
- Near the Waterfall on the Dingle Peninsula
- Driving around the Dingle in 2012
- Driving around the Dingle in 2012
- Hugs from the Dingle Peninsula
- St. Patrick’s Day Parade Dublin, Ireland 2012
- The St. Patrick’s Day Parade in Temple Bar 2011
- St. Patrick’s Day Parade Dublin, Ireland 2012
Electrocute in the Kitchen: Nwyrktodd’s Toasty Mix

Electrocute in the Kitchen:
Nwyrktodd’s Toasty Mix
Track Listing Below
Length: 1:46:48 -
1979 plays
Play
From Blog: 808 Dinner Plate
- This is Not a Test,, ATFC, Original Mix
- No-Worries, Butch, The Edits and Remixes, Re-Cut
- Give It Up, The Good Men, Amazone Project Vol. 3, Chocolate Puma Edit
- Blow Up, Hard Rock Sofa, St. Brothers, Hook n Sing Goodwill Remix
- Silence feat. Sarah McLachlan,Delirium, Sarah McLachlan, Tiesto’s In Search of Sunrise Remix Edit
- Walking Alone feat. Eric Hecht, Dirty South, Those Usual Suspects, Original Mix
- Cascade, Burn, Calvin Harris Remix
- Iced Out, Tommy Trash, Original Mix
- Cat in a Strange Barn, Mooka, Neuroxyde
- Raven, Proxy, Live Edit
- On the Run, De Bos, Dirty House Tunes in the Mix, Ralvero Get Down Remix
- Phazing feat. Rudy, Dirty South, Rudy, Original Mix
- The Rhythm of the Night, Corona, Simon from Deep Divas, Simon Sweat Mix
- We Are, Ryan Marciano, Sunnery James, Original Mix
- Breakin’ A Sweat, The Doors, Skrillex, Zedd Remix
- Sundown, Chris Lake, Laidback Luke Remix
- Generation 303, Nicky Romero, Original Mix
- Sinnerman, Sean Miller, Daniel Dub, Original Mix
- Sending My Love feat. Max C, Swanky Tunes, Max C, R3hab, Amazone Project Vol. 3, Original Mix
- Paris Luanda, Gregory Salto, DJ Gregory, Amazone Project Vol. 3, Sunnery James & Ryan Marciano Remix
- What’s Up, Alex Kenji, Thomas Gold, Amazone Project Vol. 3, Original Mix
- In My Mind feat. Georgi Kay, Ivan Gough, Feenixpawl, Axwell Mix
- King of My Castle,Yanou, Liz, Bazooka’s Finest Vol. 1, Sander van Doorn Remix
- Sinful Ladies,Umek, Jay Lumen, Monsters of Techno Vol. 4, Original Mix
- Technofans, Umek, Bastian van Shield, Bazooka’s Finest Vol. 1, Oliver Twizt Remix
- Kalifornia, Norman Doray, Amazone Project Vol. 3, David Tort Remix
- La La Track, Richard Dinsdale & Wally Lopez, Toolroom Records Amsterdam
- Litoral, Michael Cleis, Defected Presents Kevin Saunderson In the House, Original Mix
- Damelo, Gregor Salto, Amazone Project Vol. 3, Original Mix
- Sucia, Jesse Perez & Patrick M, Toolroom Records Ibiza 2010 Vol. 2
- The Voice of Children, Emil Lassaria, Deadmau5 Remix
- Get Off, Switch, Diplo, Jack Beats Remix
- Fuck You, Distrakt, Deep Throat
- La La Land, Green Velvet, Crookers Remix
- Warp 1.9, The Bloody Beetroots feat. Steve Aoki, Gtronic Badass Remix
- Polkadots 2010, Afrojack, Oliver Twizt Remix
- Die, Trash Yourself and The Toxic Avenger, Gtronic DubDub Remix
- The Pope of Dope, The Subs, Party Harders, The Oddword Wahu Wahu Remix
- Pogo Digitalism, Teppan-Yaki, Shinichi Osawa Remix
- Stress Justice, Crystalised Remix
Dubbya
- Sweet Shop, Doctor P, (Flux Pavillion)
- Got 2 Know Flux Pavillion (Original Mix)
- Must Be the Feeling, Nero, (Kill the Noise Remix)
- Chess Fight, The Juggernaut, OWSLA Presents Free Treats Vol 2 (Original Mix)
- Ice Cream Borgore, (J. Rabbit Remix)
- Sick Tonight, Dan Le Sac Vs. Scroobius Pip, (Doctor P Remix)
- Fucking Noise, Flux Pavillion, (Original Mix)
- Got Da Groove, Rusko, feat. Gucci Mane, (O.M.G.)
- In 4 The Kill Pon De Skream, Major Lazer & La Roux, LazerProof
- Iced Out, Burns, (Calvin Harris Remix)
- Dirtbox,Dave Clarke, Misch Masch (DJ Hell Remix)
- Cobol on Acid, DJ Cobol
- Doe, Doe, Doe Anthony Acid
- In the Dark We Live, Aphrohead, XXL Vol 3 (Dave Clarke’s 312 Mix)
- Colourful, Rusko
- DJ Scotto’s Christmas Dubsteptronica Meltdown Scotto
- Womanizer, Britney Spears, (Rusko Remix)
- Digital Controller, Flux Pavillion
- Sexy Party, J. Rabbit, Tremourz (Original Mix)
Winter Music Conference: Miami, FL 2012
OK So I’m broke. I’m a web designer. I’m a writer. I’m a musician. I’m a graphic designer. I’m an artist. I’m a waiter, a chef and all things gourmet. I already have a Master’s degree. So I’ll get another one… There. I’m even more broke. Now that I laid an intro to a rant, I can’t help but resist.
I have studied for six years straight through in Hunter College and NYU. I can’t tell you the amount of money that I owe between the two. It gets worse… Employers tell me that I am not qualified because I don’t have enough experience. MTV marketing department told me that. They hired me at 18 to dance in several videos. One was Rosie Gaines’ I Want You – a song written by Prince for the keyboardist from the New Power Generation. Another video that I was in was for Matt Goss – from the punk rock band Bross. At the time that I first applied to college I met a record producer on set for an MTV music video. He worked with a record label called Vission and Lorimer with LA DJ Richard Vission. They wrote me a reference letter to get into college. I was a club kid then. MTV messed with my life in a serious way. All I do is argue on interviews. I’m never a qualified candidate, and I believe, as a result of MTV I am now categorized as on the wrong side of the law. This is absolutely wrong as I studied hard for my degrees, putting myself through college waiting tables from restaurant to restaurant. I can go on about this nonsense.
I started working in nightclubs when I was 17 in NYC. People call me a Club Kid as a result, but in actuality I was the last of the flower kids. I met some people at the Grateful Dead who introduced me to the nightclub industry. They showed me rave music and then later house. I was following music as a fan, and also an aspiring musician. I have lived in NYC for 20 years while clubbing the whole time through. We have had many glamorous events with celebrities, VIP parties, most always on the guest list… Until around the year 2000, when Mayor Guiliani decided to close my life. I had one… A nice life with a promising career. Things were tough. I did have a struggle. The mayor closed almost every establishment in this city. The salsa clubs were still open. (not funny) There were close to a 1,000 people out of work. Our careers were all interrupted. Sure, Peter Gatien made some mistakes. I just blame this whole time period to a mayor acting as Al Capone with a badge.
I love to go clubbing. I like to dance. I stay for 12 hours with friends talking about music, performing and more. The scene at that time was so lively. I can’t speak for others, but I would walk into some of Peter Gatien’s nightclubs like Limelight, Club USA, Tunnel or Palladium and I was instantly in a conversation. Aside from my phone blowing up at all hours, I could walk in alone and always have someone to dance with. There was always someone to talk to. This is something that people don’t understand. I think the world wasn’t ready to meet each other. I like going in dressed as a stranger to meet new people near the dancefloor. I have had rolodex after rolodex of people that I just got bored of. When I needed a change of pace, I threw them and my mobile phone away. There were so many people there that I could always meet new friends.
The music that is still playing is from that time period. I really don’t enjoy anything else aside from traveling. Music is really all that I care about. It encompasses many things, like great friends, rebellion, art, money, and the globe. I’m sad to say that I am not happy with the working world. What more do the politicians want? Isn’t a Master’s degree enough to get out of shit? I’m sorry it’s never good enough. NYC wants to compete. Well it’s losing friends along the way. I was just working at a restaurant with a bunch of immigrants who could barely speak the language. They were Spanish, Italian, and Albanian. The restaurant manager had to stop me five times a night to complain about how incompetent I was. Excuse me. I am educated, with experience and from Manhattan and I am not qualified to compete with someone from a South American country living in the USA who does not have a degree. What the hell is wrong here?
It all boils down to closing the nightclubs, attacking the artists and assaulting the liberals. This is ridiculous that I have to fight for rights like these. Imagine that the Winter Music Conference should be something I could afford? Excuse me, there is a problem here. I need a third degree to compete in Manhattan? I am excited about studying in London, but gimme a muthafuckin break. I don’t need three degrees to work in this city. This is bullshit.
This year there are DJ’s from labels like Nervous and Viva Music, clubs like Pacha: Ibiza, with notable acts from DJ Magazine. Some of the names range from Armand van Helden, to Felix da Housecat, Todd Terry, Junior Sanchez, DJ Dan and DJ Sneak (all on one night Friday March 23rd). Anyway, this year I will be about Manhattan. Hopefully I will be able to fly to Miami next year…
Stuck on Ableton Sampler
There’s so many tutorials, with a swath of information on how to drop a beat in Ableton. I’m not sure if the instructors are slightly burnt, because I’m having a hard time following along. I am trying to sample some records, then loop and create new samples to further build on that song. I created one sample from “What a Feeling,” by Shinichi Osawa, but for some reason I could not use it to make a song. I had one sample, but could not create others after. I kept trying to get the second sample, a drum riff, but was unable to record. If only I had an Ableton instructor. I would consider bartering for training sessions.

Artist Review: Kevin Saunderson

This is the man! I swear. Kevin Saunderson has the groove. Detroit should be proud. I bought his latest album Kevin Saunderson: In the House, on Defected. He is known as one of the three founders of the Detroit Techno Scene known as the “Belleville Three.” In the House is Kevin’s first club mix album since 1996. Remixes of jams like Rock to the Beat and Good Life make this an irresistible album. If you have the time, check out the mix Deep Into the House by nwyrtkodd in the article below.
Kevin passed on football early in his career to produce music. He has been known as several names amidst different groups in his career. Inner City is one of his projects that has been successful since its debut in 1987, when he recorded a song with Paris Grey called Big Fun. This track was a hit across the globe and was only to be outsold by Good Life on the new Defected album.
Digital Audio Workstation

Building the Digital Audio Workstation
for 808 Dinner Plate.

This morning I woke to continue the task of installing the Digital Audio Workstation. I currently have the Korg X5D synthesizer that I am using as a controller. This requires a Midi box to convert the analog to digital (or at least to be able to plug it into the computer). After realizing that ProTools was more for mastering and final mixdown, I downloaded a trial copy of Ableton Suite 8 until the copy I purchased arrives. After loading the program, I began looking at the many tutorials online to learn how to make beats. It is an extremely complicated process, because there are so many effects, processors, plug-ins, instruments, and even external hardware. Some programs also connect to Ableton in a Slave/Master situation. That sounds kind of hot… I did succeed at slaving Traktor so I could use DJ tunes as samples in Ableton. I had one of Brian’s tracks loaded on the fly, and with a press of the Korg keyboard key I was playing “Tearing up My Heart,” by ‘N Sync. I could scratch and mix with the other keys. It was a long way from being a polished performance, but it was very cool to say the least.
I studied for most of the day, while juggling some accounts on the telephone. I wasn’t sure at first that I like Ableton. I’m going to be honest… I have had a MIDI keyboard for 10 years, but have always ignored it because it was so intimidating. The software has improved, making it more pleasant to look at. That holds true for most software programs though. Ableton is really cool, because I get to use the instrument that I have had with me for ten years but was never any good at. I studied piano when I was a kid, but did not feel comfortable playing Mozart or Beethoven like my parents wanted me to learn. I like electronic music and rock and roll since I was in the single digits. The piano teacher would not teach me anything that would help me play this music. I always asked about rhythm, chords, and how to jam, but was never taken seriously. Hence, I had this instrument that I did not appreciate. UNTIL TODAY. The computer that I now consider myself an expert at, has paired with the instrument that I do love, but really do not know. I am really focused on learning to make music, with my eyes glued to the screen.
Today I studied the basics of Ableton. This includes how to setup the program, connect a MIDI instrument, an analog microphone, and create basic mixes to record. Some of the effects are beyond cool. The one I like most is the Vocoder. I can setup a mike to play my voice into a sound effect like a voice coil. It gets really complicated because you can link MIDI instruments like the Korg to another track, almost syncing the microphone and keyboard together. So if I sing next to the keyboard and play a chord, my voice will come through as that chord with sound effects all over it. It adjusts my voice to the right pitch to play as the chord I play. I did some experimenting with this and other effects. I am going to practice every day, while adding new equipment to the studio. Once day I will be producing hit records, in a gorgeous Upper East Side townhouse.
I will spend most of the day tomorrow studying as I map out the blueprint for my new workstation. It’s going to take decisions as to what pieces I think are right for the sound I want. There are so many choices. I always go to a store to ask the salesperson what the best piece is. This is a big mistake. They are not friendly and will sell their mothers if they had to. From now on, I promise to research all of the options before entering a store. If possible I will buy online, after reading carefully, joining chat rooms, looking at forums, and comparing other products. This is not to mention radical flight miles, promo codes, the ability to check prices against the web, and in most cases free shipping. I like shopping online in the new millennium. Right now, I need a microphone. I’m looking at Blue’s Yeti Pro Microphone, or second best the Snowball. After that, I want a Midi Controller that is mapped, like an AKAI APC40, Vestax VCM 600, or Novation Launchpad.
Getting Up and Running

Friday March 2, 2012 was a good day… a really good day. I was amidst some audio research online in a training course prepared at Lynda.com. Adobe makes a software program for editing basic audio to video. Soundbooth helps multi-media editors work with sound in Flash, After Effects and Final Cut. I was taking the course, when I realized how this software was not enough to satisfy my appetite for destruction. I took a momentary break from studying to connect my Korg X5D keyboard to my Mac workstation. I have all of the necessary MIDI boxes so that I can play. Unfortunately, the only program I have is Garage Band. I tinkered with a few keys and realized how limited I was. I enjoy electronic music that requires many effects and samples to be played. Garage band is more for analog music players who want to connect to their computers. So I played Fur Eloise and the Tarantella for a few minutes before I became totally bored. I would like to take keyboard/piano lessons, so if anyone is offering – send me an email.
At that moment I had the realization that I should invest in something that would make me happy. I had been thinking about recording music, since I started mixing recently. I checked out Ableton, ProTools and some of the other popular programs. I was at a loss. I phoned Guitar Center, where I like to shop. The salesman recommended Pro Tools 10 as it was the most popular, as it not so difficult to learn. I don’t know how true this is because my research online told me the exact opposite. I read that Ableton was easier to use. At any rate, the salesman mentioned the many awesome samples, sounds and databases that were included with the program. I had found it on Amazon for $75 dollars less. I told him this, and he offered to beat that price by six dollars. I also had a valid student ID card from NYU. This gets me almost a 65 % discount. I hopped up and down as I was now on my way to becoming a musician.
For now, I have Traktor and the Numark mixer to play with. At least I can record with Traktor. It also has a podcasting feature that I haven’t quite figured out yet. I have to do some research on that. This weekend I am going to make a new mix – something harder to dance to. I have to prepare something for my next gig. I think I’m going to spin the Von website launch party and Spring Fashion Show. Its good to open up for larger DJs who already have a following. Then I can get my name on the roster.
UPDATE: I had to phone Guitar Center to make sure that Pro Tools was right for me. I discovered that it’s great for multitrack recording or final mixdown, but that Ableton Suite 8 is much better for Looping, Sampling and production of electronic music. Slight differences – but I would be stuck with a computer program better for miking and mixing a live band. So I ordered the Suite instead for almost $500 with an Educational Discount. That is a lot of money. It was $169 more than Pro Tools with the education discount. Ableton Suite sold for $850 without the discount. I downloaded a trial version for 30 days that I can use while I read the tutorials to get some beats thumping from my sound system.



President’s Day Weekend at Pacha NYC Pt2
I had such a good time on Saturday night that I decided to go back on Sunday. It was free to get in if you are on a list or have comps. I spent only about $25 the whole night on Sugar-free Monster energy drinks and coat check. Of course at 8 AM after dancing for a solid eight hours I hopped in a cab home to the Upper East Side. The LA Riots were playing on Sunday, with free entry before 12 AM. I decided to go last minute and ran to catch the subway. They drive right by you on the weekends at night. I think the MTA knows you are going out to a club and they don’t want to take you. There are 10 trains in 20 minutes at 8 AM, but around 11:30 PM there is about one every 30 minutes. How crude in a city like NYC where the only reason I live here is because of the fucking night life. Nevertheless, I got there to the ticket counter at 12:10 AM. I imagined they would try to charge me, but since I had been there last night, and it was a slow night I got in no questions asked. The party was only on one floor upstairs. I walked into the club, checked my coat and hit the bar for an energy drink. Before you know it I was dancing all over the club, chatting it up with almost everyone. It was a great party and I left with some new numbers. I have some photos from the party that I will put in a gallery. I also have a few videos. While I was there, I happened to get the track listing off of the LA Riots and the other opening DJ. Hey if anyone reading wants to go clubbing one night, hit me up – I could be down.
Here are the photos from Sunday:
President’s Day Weekend at Pacha
This weekend I felt the need to dance. First of all, I am living in this studio with my boyfriend who has to wake up at 5:30 AM every morning. That means the lights are usually off by 9 PM. This drives me crazy. I can’t talk on the phone, I need headphones, I can’t use the light. So instead of driving myself up the wall I decided to go out alone. Pacha is a great space that I went on my birthday. Unfortunately, my birthday is usually right on Thanksgiving or the day before. This year it was the day before that we decided to celebrate at Pacha. I turned in the list of 15 people who all planned to party hard on my special day. One person, an old friend who I had not seen in ages texted me while I was at the club to tell me she was too drunk, could not afford it and to have a Happy Birthday. Several other people decided not to show, or even txt to let me know. I waited at Pacha for 5 hours alone dancing before I gave up looking for people. The only person who showed was an old friend Chanel who I can’t stand. She had the balls to call me from outside the club to ask me to borrow money to get in. It’s my party bring me a gift damn it. I’m over it, so I am off looking around for new friends. I did like Pacha so I decided to come back.
Here’s a Video I Made from the Party
Download video: MP4 format | Ogg format | WebM format
Have at Look at Some Images from the Party at Pacha Saturday Night:
Overall this was the most fun I’ve had out dancing this year. Bothnights were great although it was less corded on Sunday and everyone was more relaxed. The Saturday crowd is full of tourists and people visiting the club. It’s not too many regulars. There’s also a lot of bridge and tunnel. I’m not sure if its too much to handle as of yet. I will be going back soon!






















































































































